IT IS ENOUGH THAT I COME FROM A COUNTRY THAT
LIES EAST OF THE WEST AND WEST OF THE EAST*
I am an observer. Through digital and analogue photography, still and moving images, I explore the potential ground that exists between fine art and documentary photography. Drawing inspiration from various conditions of the reality around me, from the great interest in the modern, dynamic art scene but also from my personal experiences, I believe in the power of images to convey the emotions, truths, and challenges of the modern reality. Having spent the majority of my life away from my motherland, I often return to the theme of homesickness and belonging in my artwork.
My approach to picture making is to present ordinary, non-idealised, never staged reality. Such practice is the formulation of interest in things as they are. By using only one lens which is the most similar to a human field of view, I am capturing the moments and non-moments that drag my attention. I am a sentimental and nostalgic artist and the camera is the best tool to anchor oneself to memories and emotions that are constantly fleeting.
My work starts with a strong interest in the moment, light or situation.
The process of looking begins before taking a photograph and continues afterward. Selecting pictures, printing, making connections, framing or setting up an exhibition space, all of it seems connected to the way of seeing. I immerse myself in the medium fully and utterly.